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  In Music: Svensk, Pop, R&B On HOLD!  
Jo Anne Worley : J. Wo  The SeedyNow Interview with Ludacris
 Album Info  
Review:
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Cover Image


 TRACK LISTING   

Listen before you buy! Click on any format below to hear a sound sample. Help with Sound Samples.

1. Boring
Real Audio | MPEG

2. Soprano Vibrato
Real Audio | MPEG

3. Sock It To Me
Real Audio | MPEG

4. Walking On LSD
Real Audio MPEG

5. What Ain't Funny?
Real Audio MPEG

6. Casino
Real Audio | MPEG

7. Go Away
Real Audio | MPEG

8. Talk to the Swirl
Real Audio | MPEG

9. It's Me...It's Me!!!
Real Audio | MPEG

10. Do The Monkey With Me
Real Audio | MPEG

11. Security Breech
Real Audio | MPEG

12. I'm Just OK
Real Audio | MPEG

13. That's What I Like (Paul Lynde)
Real Audio | MPEG

14. Lame
Real Audio | MPEG

15. (Si Ya) Sock It To Me (reprise)
Real Audio | MPEG


 NOTES   

Date: January 23, 2001
Label: Atsira
Genre: Swill
Category: Comedy/Rap/Punk
 CREDITS   
Production Credits
Paul D. Apostle : Production Coordination
Scott "the Hutt" Jebbs : Make-Up
Bruno : Production Assistant
Jo Anne Worley : Executive Producer
  Raul Vasquez : Production Assistant
Sammy "SwingNuts" Nelson : Production Assistant
C. Foozey : (the real)Executive Producer

 REVIEWS   



January 19, 2001
Jo Anne Worley
J. Wo
(Epic)

If you take any lesson away from Jo Anne Worley's new record, J. Wo, let it be this: Underneath the Granny dresses, the potentially felonious boyfriend, the cult following, and the mysterious swirl, Jo Anne Worley is just like any other girl: She has a boyfriend she can't make behave ("I'm Just OK"), she wants the DJ to put on a record so she can dance with her baby ("Sock It To Me"), and she isn't adverse to making the frequent booty call ("Soprano Vibrato").

Worley's new record, the horribly titled J. Wo, drives this home with a vengeance, though the pop, R&B, and retch-inflected tracks with which Worley makes her point are mostly unexceptional. Worley sings several tracks in Upper Turkish, and though the record as a whole has more of a Hindu Raga feel, there's nothing here with the relative soulfulness of, say, her duet with Henry Gibson (Notorious GIB), "Song, by Henry Gibson," from his latest album, To the 9's.

The pop/R&B tracks, many in vein of 9's "Waiting for a Taxi," are more glitzy and docile than even someone well versed in the vagaries of contemporary cookie-cutter pop might expect. Judging from the album credits, it took a small hamlet (including more than a dozen producers, a vocal consultant, over 30 songwriters -- more than nine of them on one song -- and a liberal use of Pro Tools) to raise J. Wo, and it shows.

Anonymous Monk
SeedyNow Senior Editor, Pop/R&B


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